Sustainability
* Recording frame rates are listed as integer values, but the actual frame rates are as follows: 30p = 29.97 fps, 60p = 59.94 fps, and 120p = 119.88 fps.
* 5K (3:2) X-OCN 120 fps and 4K 240 fps recording will require a future firmware update.
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Lighting the Way Forward
Lighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realise their vision with greater precision, control, and expressive potential.
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Cinema-class image quality
Built for professional sets
Expandability and workflow
Cinema-class image quality
5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude
The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.
BIONZ XR2™ with integrated AI processing for enhanced shooting support
The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.
Open Gate and other image scan modes
The FX5 offers full-frame Open Gate recording — a first in the Cinema Line FX series. With 5K up to 120 fps (FF 3:2), 4K up to 240 fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realise even the most ambitious vision.
[1] X-OCN [2] Other codecs [3] FPS [4] Project Frame Rate [5] Fixed
Internal X-OCN compressed RAW video recording
Capture 16-bit scene-linear X-OCN internally eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.
Three Base ISO settings for effective noise control in any environment
Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.
15+ stops of latitude for low-noise shadow detail
Wide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further.
Dual Gain Shooting debuts in the Cinema Line FX camera series
Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.
High-frame-rate capture, including 5K at up to 120 fps
High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 120 fps and 4K at 240 fps, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary footage.
Precise, reliable AF and tracking with AI-based subject recognition
With built-in AI processing, the BIONZ XR2 engine accurately recognises human, animal, and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field.
Built-in de-squeeze for anamorphic shooting
Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.
Deep learning-based illumination estimation
Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast.
S-Cinetone™ for a refined cinematic look
S-Cinetone brings Sony cinema colour science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.
Wide-gamut colour for more grading control
With colour gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad colour information for more precise grading and easier colour matching with VENICE 2 in multi-camera shoots.
Three S-Log3 modes for flexible workflows
From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to easily monitor the intended look in real-time.
Built for professional sets
5-axis stabilisation for steadier handheld shooting
A precision stabilisation unit and gyro sensors combine to provide optical 5-axis in-body stabilisation. An enhanced stabilisation unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. The result is a camera that’s ideal for handheld shooting. Dynamic active Mode adds extra electronic support, and stabilisation data can also be used in post-production.
Lightweight, compact design for agility on set
The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and more.
High-quality 96 kHz / 32bit float audio recording
The XLR handle unit supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz / 32bit float audio. With up to 4 channels of top-quality audio recording, it helps you capture cleaner sound without slowing down the shoot.
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BIG6 (HOME) screen for faster on-set control
Inherited directly from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen displays six essential settings together: frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance. Touch operation, the multi-function dial, and Fixed/Variable frame-rate control help you work quickly and efficiently.
Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring
Add the optional OLED viewfinder for enhanced monitoring in bright locations. It features a 0.58-type OLED panel with approx. 7.07 million dots, DCI-P3 equivalent colour gamut, and 10-bit display for superb colour and detail.
Monitoring support for precise shooting
Exposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence.
Clear Image Zoom for smoother, more intuitive framing
Clear Image Zoom adds a [Smooth Priority] mode that enables seamless zoom from the optical wide end up to 2x digital zoom. [Optical Zoom Priority] is a zoom mode that prioritises image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over.
Dual CFexpress Type A/SD card slots for flexible media workflows
Dual CFexpress Type A slots support relay, simultaneous, and separated recording, and they also accept SDXC (UHS-II/UHS-I) cards. Main and proxy files can be recorded to different slots.
Power that keeps pace with long shoots
A high-capacity 2670 mAh NP-SA100 battery can provide up to 170 minutes of recording time. Optimised power management, faster charging, USB Power Delivery (PD) and battery condition display make day-to-day operation easier.
Cooling designed for uninterrupted 170 minutes of recording
An efficient fan cooling system and advanced design help keep the camera cool, even when the LCD monitor is closed. Three fan modes — [Auto], [Minimum], and [OFF in REC] — let you balance cooling and noise to suit your shooting needs.
Expandability and workflow
An extensive range of expressive E-mount lenses
Choose from a wide range of Sony E-mount lenses, spanning ultra-wide, telephoto, prime, power zoom and more. Advanced stabilisation and AF support help unlock each lens's full creative potential.
Flexible monitoring, power and timecode connections
The HDMI Type A output port supports external monitoring, while dual USB Type-C® ports support timecode transfer, data transfer, and power delivery. You can also split shooting information and picture output to match the way you monitor on set.
Wired and wireless LAN connectivity for remote workflows
High-speed wired LAN and 2.4 / 5 / 6 GHz Wi-Fi support smoother remote control, file transfer and connected production workflows. The FX5 is built to slot more easily into modern multi-device shoots.
Monitor & Control for remote operation from mobile devices
Monitor & Control enables wired or wireless monitoring and operation of multiple cameras via a smartphone, tablet, or Mac. Precise exposure tools and simultaneous control of settings support more efficient reduced-crew workflows.
Catalyst Prepare and Catalyst Prepare Plugin
Catalyst Prepare and Catalyst Prepare Plugin use camera metadata for fast shot review and correction. They provide format support, including X-OCN LT/C1/C2, along with key features such as stabilisation, lens breathing compensation, colour/LUT tools, and transcoded export.
Accessibility features for more creators
Screen reader support, a menu magnifier, and other accessibility aids help make the FX5 easier to use for more creators. The lens mount index, multi-function dial, and buttons are designed so they can be easily located by touch, supporting more confident operation.
Recycled materials in Cameras
At Sony, our Road to Zero plan aims to achieve a zero environmental footprint by 2050. We use SORPLAS™, our durable, high-quality recycled plastic material, wherever possible to reduce stress on the environment without compromising performance. More than 30% of this product is made of recycled plastic, including SORPLAS. Our imaging product manufacturing facilities in Thailand and China also operate on 100% renewable energy.
Non-plastic packaging materials
Sony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. We use plant-based non-woven fabrics for product bags, further reducing plastic usage and minimising environmental stress.
Planned post-launch support
Updates are planned to add support for HFR shooting up to 240 fps in X-OCN, XAVC S‑I recording in a 3:2 aspect ratio with full-sensor readout, an optimised user interface for vertical shooting, and a frame grab function.
Specifications & Features
Featuring a full-frame stacked Exmor RS CMOS sensor and BIONZ XR2 with integrated AI, the FX5 combines high-speed readout and advanced image processing for an advanced cinema look. With 16-bit scene-linear X-OCN and versatile scan modes, including Open Gate, it delivers professional operability in a compact Cinema Line body.
- NUMBER OF PIXELS (Total)
- Approx. 18.2 megapixels
- SENSOR TYPE
- 35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor
- NUMBER OF PIXELS (EFFECTIVE)
- Approx. 16.6 megapixels max.
- FOCUS POINT
- Max. 759 points (phase-detection AF)
- LATITUDE
- 15+ stops (S-Log3)
- ISO SENSITIVITY
- ISO 320 - 409600 equivalent, AUTO (ISO 320 - 409600, selectable upper limit)
- Memory Card Slot
- SLOT A: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT B: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card
- Monitor Type
- 8.8 cm (3.5-type) type TFT
